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Grateful Dead Live at Fillmore East on 1969-09-27




Set 1


Set 2


1. Banter and Bill Graham Introduction [0:18] ->
2. Morning Dew [10:00] [0:40]
3. Mama Tried [2:37] [0:09]
4. Next Time You See Me [3:28] [0:10]
5. Casey Jones [4:29] [0:11]
6. China Cat Sunflower [3:09] ->
Jam [3:11] ->
7. High Time [7:20] [0:02]
8. //Dire Wolf [5:24#] [0:09]
9. Me and My Uncle [3:10] [0:09]
10. Various Tunings [1:39]


Collection GratefulDead
Band/Artist Grateful Dead
Venue Fillmore East
Location New York , NY

Source A:?>C>CD; via Jack Warner
Transferred by Extraction and .shn encoding using EAC and mkwACT by Joe Jupille

Notes

Notes:
t05 Casey Jones (master?) anomaly @ 3:01
t06 Jam out of China Cat warbles @ 4:54-5:05
t08 Dire Wolf fades in
t08 Dire Wolf disruption @ 5:12
t10 starts with Take Me Out to the Ballgame Tuning

Reviews

Reviewer: njpg - - April 30, 2015
Subject: 4
4
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2
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Source: nak 300 mics w/ cp4 shotguns > sony d-5 D
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Source: flac16:Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes
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187
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Source: Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using traders Little Helper.Taped By Dave Boedicker,Taper; Section,Section 38,Row CC,Seat 14
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
Grateful Dead
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716
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
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848
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Source: Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
Grateful Dead
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503
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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593
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1
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Source: Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;
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Source: Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper